Rogue star rescue review movie#
Rogue star rescue review full#

“Chapatti” is aptly described as “a warm and gentle story about two people rediscovering the importance of human companionship.” It is all that and more. In the play, written by Christian O’Reilly, Dan and Betty are dealing with unresolved romantic pasts - she a failed marriage, he the death of his longtime love. “Chapatti” is the current offering by the Rogue Theater Company at Grizzly Peak Winery in Ashland. Be prepared to laugh, root for the eclectic twosome and, as the story unfolds, likely shed a few tears. The couple, played with unflinchingly honesty by Robin Goodrin Nordli as Betty and Michael Elich as Dan, give nuanced performances that never feel like acting. The premise is familiar: Two lonely people who love their pets happen to meet and, guess what, fall in love.īut it’s the way the story is told and, even more, performed, that makes “Chapatti” an emotionally appealing, heartwarming tale of love and loss. The weapon is the diabolical project of Orson Krennic (Ben Mendelsohn), the film’s deliciously evil, lisping-threat villain.Fine acting animates well-told tale of neighbors with pets - and pasts When Rogue One opens, the Death Star is just a rumor - a game-changing what-if that has the Rebels terrified. Played by Felicity Jones, Jyn Erso is the long-lost daughter of a famous scientist, Galen Erso (Mads Mikkelsen), who helped the Empire build the secret planet-destroying weapon known as the Death Star.

Like all of the best heroes, she’s a reluctant one, nudged onto her journey’s path by fate. As in The Force Awakens, our hero this time out is a strong young woman searching for answers. And it opens up a world of cinematic possibilities moving forward. When you think about it, that’s pretty exciting. This is a whole new stable of characters operating on the fringes of the world we know by heart. Han Solo’s not here, Luke’s not here, Obi Wan’s not here. Rogue One isn’t part of the central saga, it’s a side story - a gnostic sci-fi gospel (hence no opening crawl). And he rewards it with Rogue One - a thrilling adventure that’s every bit as satisfying as The Force Awakens. Because that one tiny missing puzzle piece is the entire narrative for Rogue One.Įdwards, the director of 2014’s Godzilla, gets the obsessive need-to-know curiosity that the most rabid Star Wars fans have always had. But thankfully, they do keep up people like Gareth Edwards. One of the biggest was: How did Princess Leia come to possess the plans to the Death Star that she hides in R2-D2 at the beginning of that film? Where did they come from? How were they obtained? Were they stolen or turned over by a traitor? Granted, these may not be the questions that keep a lot of us up at night.

Rogue star rescue review movie#

But the thing about that movie was, the more you studied and dissected and parsed it, the more questions it raised. Of course, that was our introduction - our gateway drug - to Lucas’ world of Wookiees and droids and rebel heroes and imperial villains. The new film is set just prior to the original Star Wars ( Episode IV: A New Hope). Rogue One: A Star Wars Story, the first stand-alone chapter in the franchise, tells one of those untold tales. There are no unanswerable questions, just untold tales - and unmade movies.

Rogue star rescue review full#

It’s a thoroughly imagined universe full more obsessive details and arcane backstories than we can probably imagine. Every character, every planet, every plot point and technical spec seems to have been considered. The thing that has always made George Lucas’ “Galaxy Far Far Away” so unique is its richness.